Studio 360 from PRI and WNYC 2hw16

For our latest installment of American Icons, Studio 360’s Sam Kim explores “12 Angry Men,” the courtroom drama that has inspired jurists — and Hollywood script writers — for decades. And how Kris Maddigan, a first-time video game composer, wrote a 3-hour long jazz album for the popular indie game Cuphead. Learn more about your ad choices. Visit megaphone.fm/adchoices

For our latest installment of American Icons, Studio 360’s Sam Kim explores “12 Angry Men,” the courtroom drama that has inspired jurists — and Hollywood script writers — for decades. And how Kris Maddigan, a first-time video game composer, wrote a 3-hour long jazz album for the popular indie game Cuphead.\r\n\n\nLearn more about your ad choices. Visit megaphone.fm/adchoices\r\n

For our latest installment of American Icons, Studio 360’s Sam Kim explores “12 Angry Men,” the courtroom drama that has inspired jurists — and Hollywood script writers — for decades. And how Kris Maddigan, a first-time video game composer, wrote a 3-hour long jazz album for the popular indie game Cuphead. Learn more about your ad choices. Visit megaphone.fm/adchoices

For our latest installment of American Icons, Studio 360’s Sam Kim explores “12 Angry Men,” the courtroom drama that has inspired jurists — and Hollywood script writers — for decades. And how Kris Maddigan, a first-time video game composer, wrote a 3-hour long jazz album for the popular indie game Cuphead. Learn more about your ad choices. Visit megaphone.fm/adchoices

He’s a jazz icon, but Wynton Marsalis has always been drawn to classical music as well. Marsalis talks with Kurt Andersen about composing symphonies and performing with orchestras. And the newest installment in our series about influential albums by women, This Woman's Work, features “Hounds of Love” by Kate Bush, with performers as varied Outkast’s Big Boi and singer Julia Holter revealing how the work inspired them. Learn more about your ad choices. Visit megaphone.fm/adchoices

He’s a jazz icon, but Wynton Marsalis has always been drawn to classical music as well. Marsalis talks with Kurt Andersen about composing symphonies and performing with orchestras. And the newest installment in our series about influential albums by women, This Woman\'s Work, features “Hounds of Love” by Kate Bush, with performers as varied Outkast’s Big Boi and singer Julia Holter revealing how the work inspired them.\r\n\n\nLearn more about your ad choices. Visit megaphone.fm/adchoices\r\n

He’s a jazz icon, but Wynton Marsalis has always been drawn to classical music as well. Marsalis talks with Kurt Andersen about composing symphonies and performing with orchestras. And the newest installment in our series about influential albums by women, This Woman's Work, features “Hounds of Love” by Kate Bush, with performers as varied Outkast’s Big Boi and singer Julia Holter revealing how the work inspired them. Learn more about your ad choices. Visit megaphone.fm/adchoices

He’s a jazz icon, but Wynton Marsalis has always been drawn to classical music as well. Marsalis talks with Kurt Andersen about composing symphonies and performing with orchestras. And the newest installment in our series about influential albums by women, This Woman's Work, features “Hounds of Love” by Kate Bush, with performers as varied Outkast’s Big Boi and singer Julia Holter revealing how the work inspired them. Learn more about your ad choices. Visit megaphone.fm/adchoices

The final eight episodes of “BoJack Horseman” — Netflix’s animated series about a washed-up ’90s sitcom star living in the Hollywood Hills — will be released on January 31. Its protagonist is half-horse, half-man, and its tone is half-jokes, half-existential-angst. That’s a study in contrasts that seems inexplicable—until you talk with the show’s creator, Raphael Bob-Waksberg. In 2017, he talked with host Kurt Andersen about why so many people who go to Harvard are dummies, the genius of the film “Who Framed Roger Rabbit?” and the underappreciated poignancy of “The Simpsons.” Learn more about your ad choices. Visit megaphone.fm/adchoices

The final eight episodes of “BoJack Horseman” — Netflix’s animated series about a washed-up ’90s sitcom star living in the Hollywood Hills — will be released on January 31. Its protagonist is half-horse, half-man, and its tone is half-jokes, half-existential-angst. That’s a study in contrasts that seems inexplicable—until you talk with the show’s creator, Raphael Bob-Waksberg.\r\n\n\nIn 2017, he talked with host Kurt Andersen about why so many people who go to Harvard are dummies, the genius of the film “Who Framed Roger Rabbit?” and the underappreciated poignancy of “The Simpsons.”\r\n\n\nLearn more about your ad choices. Visit megaphone.fm/adchoices\r\n

The final eight episodes of “BoJack Horseman” — Netflix’s animated series about a washed-up ’90s sitcom star living in the Hollywood Hills — will be released on January 31. Its protagonist is half-horse, half-man, and its tone is half-jokes, half-existential-angst. That’s a study in contrasts that seems inexplicable—until you talk with the show’s creator, Raphael Bob-Waksberg. In 2017, he talked with host Kurt Andersen about why so many people who go to Harvard are dummies, the genius of the film “Who Framed Roger Rabbit?” and the underappreciated poignancy of “The Simpsons.” Learn more about your ad choices. Visit megaphone.fm/adchoices

The final eight episodes of “BoJack Horseman” — Netflix’s animated series about a washed-up ’90s sitcom star living in the Hollywood Hills — will be released on January 31. Its protagonist is half-horse, half-man, and its tone is half-jokes, half-existential-angst. That’s a study in contrasts that seems inexplicable—until you talk with the show’s creator, Raphael Bob-Waksberg. In 2017, he talked with host Kurt Andersen about why so many people who go to Harvard are dummies, the genius of the film “Who Framed Roger Rabbit?” and the underappreciated poignancy of “The Simpsons.” Learn more about your ad choices. Visit megaphone.fm/adchoices

Six decades after it premiered on Broadway, “West Side Story” is everywhere again, with a revival on Broadway and a movie in the works. But many still are troubled by the way Puerto Ricans are depicted. Plus, the story behind Garry Winogrand’s 1967 photo, "Central Park Zoo," which featured a white woman and a black man holding chimpanzees dressed in human clothes, and is one of his most widely exhibited — and controversial — images. Learn more about your ad choices. Visit megaphone.fm/adchoices

Six decades after it premiered on Broadway, “West Side Story” is everywhere again, with a revival on Broadway and a movie in the works. But many still are troubled by the way Puerto Ricans are depicted. Plus, the story behind Garry Winogrand’s 1967 photo, \"Central Park Zoo,\" which featured a white woman and a black man holding chimpanzees dressed in human clothes, and is one of his most widely exhibited — and controversial — images.\r\n\n\nLearn more about your ad choices. Visit megaphone.fm/adchoices\r\n

Six decades after it premiered on Broadway, “West Side Story” is everywhere again, with a revival on Broadway and a movie in the works. But many still are troubled by the way Puerto Ricans are depicted. Plus, the story behind Garry Winogrand’s 1967 photo, "Central Park Zoo," which featured a white woman and a black man holding chimpanzees dressed in human clothes, and is one of his most widely exhibited — and controversial — images. Learn more about your ad choices. Visit megaphone.fm/adchoices

Six decades after it premiered on Broadway, “West Side Story” is everywhere again, with a revival on Broadway and a movie in the works. But many still are troubled by the way Puerto Ricans are depicted. Plus, the story behind Garry Winogrand’s 1967 photo, "Central Park Zoo," which featured a white woman and a black man holding chimpanzees dressed in human clothes, and is one of his most widely exhibited — and controversial — images. Learn more about your ad choices. Visit megaphone.fm/adchoices

Ranky Tanky performs live in our studio, and explains to Kurt Andersen how their music is rooted in the regional Gullah culture — descendants of West African slaves who lived on isolated islands along the coasts of Georgia and the Carolinas. For our Guilty Pleasures series, comic Tig Notaro says why she loves the widely loathed band Nickelback, especially their song “Photograph.” And mezzo-soprano Jamie Barton, a rising star of the opera world, performs love songs directed at women that were meant to be sung by men, and tells Slate’s June Thomas how a sense of bisexual pride drives such performances. Learn more about your ad choices. Visit megaphone.fm/adchoices

Ranky Tanky performs live in our studio, and explains to Kurt Andersen how their music is rooted in the regional Gullah culture — descendants of West African slaves who lived on isolated islands along the coasts of Georgia and the Carolinas. For our Guilty Pleasures series, comic Tig Notaro says why she loves the widely loathed band Nickelback, especially their song “Photograph.” And mezzo-soprano Jamie Barton, a rising star of the opera world, performs love songs directed at women that were meant to be sung by men, and tells Slate’s June Thomas how a sense of bisexual pride drives such performances.\r\n\n\nLearn more about your ad choices. Visit megaphone.fm/adchoices\r\n

Ranky Tanky performs live in our studio, and explains to Kurt Andersen how their music is rooted in the regional Gullah culture — descendants of West African slaves who lived on isolated islands along the coasts of Georgia and the Carolinas. For our Guilty Pleasures series, comic Tig Notaro says why she loves the widely loathed band Nickelback, especially their song “Photograph.” And mezzo-soprano Jamie Barton, a rising star of the opera world, performs love songs directed at women that were meant to be sung by men, and tells Slate’s June Thomas how a sense of bisexual pride drives such performances. Learn more about your ad choices. Visit megaphone.fm/adchoices

Ranky Tanky performs live in our studio, and explains to Kurt Andersen how their music is rooted in the regional Gullah culture — descendants of West African slaves who lived on isolated islands along the coasts of Georgia and the Carolinas. For our Guilty Pleasures series, comic Tig Notaro says why she loves the widely loathed band Nickelback, especially their song “Photograph.” And mezzo-soprano Jamie Barton, a rising star of the opera world, performs love songs directed at women that were meant to be sung by men, and tells Slate’s June Thomas how a sense of bisexual pride drives such performances. Learn more about your ad choices. Visit megaphone.fm/adchoices