Studio 360 from PRI and WNYC 2hw16

On One by Willie, Texas Monthly’s John Spong hosts intimate conversations with a range of prominent guests about the Willie Nelson songs that mean the most to them. But this series isn’t just about the songs. It’s about what music really means to us—the ways it can change us, take care of us, and connect us all. Brilliant indie rock-pop-and-folk singer-songwriter Conor Oberst, of Bright Eyes and Monsters of Folk fame, talks about one of Willie’s famous Pamper Demos, “Undo the Right.” It was one of Willie’s earliest efforts for the Pamper Publishing Company, a co-write with Hank Cochran, the legendary songwriter who first championed him when he moved to Nashville. That gets Conor thinking about the craft of songwriting, about how sneaking contradictory or counterintuitive ideas into songs helps them to better reflect what he calls the "big mess” of real life, and how nobody writes a bridge like Willie does…before we listen to another old Willie song, “The Storm Has Just Begun,” which was the B-side to his first single in 1959—and that Willie wrote when he was just twelve years old. Season 6 of One by Willie is available wherever you get your podcasts.

Embark on American Railroad, a five-episode podcast hosted by Rhiannon Giddens that seeks to right historical wrongs by highlighting the untold stories and unheard voices from the diverse communities that built America’s railway systems. Next stop: Hell’s Kitchen, a New York City neighborhood historian Miriam Nyhan describes as transformed by immigration and expansion of the state’s railroad boom. Despite tensions between Black and Irish railroad workers, living and laboring side-by side created a distinctly American sound. Musicians Lenwood “Leni” Sloan, and Silkroad Ensemble member Maeve Gilchrist use music to capture the energy and urgency of the time in their workshop with New York’s Irish Arts Center. Founded by Yo-Yo Ma, Silkroad is both a touring ensemble comprised of world-class musicians from all over the globe, and a social impact organization working to make a positive impact across borders through the arts. To find out more about Silkroad's American Railroad - the album, the tour, the TV series and the podcast, go to silkroad.org/american-railroad. Listen to all episodes of American Railroad from Silkroad and PRX on your favorite podcast platform.

Embark on American Railroad, a five-episode podcast that seeks to right historical wrongs by highlighting the untold stories and unheard voices from the diverse communities that built America’s railway systems. Hosted by Grammy Award-winner Rhiannon Giddens, American Railroad is produced in partnership with PRX. The first stop on the American Railroad podcast is Swannanoa, North Carolina. Silkroad Artistic Director Rhiannon Giddens reveals the origins of the popular Appalachian folk song “Swannanoa Tunnel” and how professors Jeffrey A. Keith and Kevin Kehrberg’s research sparked important conversations about erasure and ownership in Appalachian music. We’ll also hear from banjo player Tray Wellington about his experience as a Black band leader making a way in a genre not well known for performers who look like him. Founded by Yo-Yo Ma, Silkroad is both a touring ensemble comprised of world-class musicians from all over the globe, and a social impact organization working to make a positive impact across borders through the arts. To find out more about Silkroad's American Railroad - the album, the tour, the TV series and the podcast, go to silkroad.org/american-railroad.

host Heather Freeman as she explores the secrets of America's rich magical tapestry. Each episode uncovers the fascinating magical practices, beliefs, and personal stories of America’s diverse cultural communities, both past and present. Discover the hidden realms of the United States, from religious remixing to enchanted beliefs and sorcerous workings. Part veiled history and part spiritual awakening, Magic in the United States illuminates both magic and religion in whole new ways. Go to MagicintheUnitedStates.com to find out more.

Meet Ray Christian.  Some people call him a storyteller, historian, father. Shoot, if you’ve got the time, he could fill you in on everything he’s been called. But first and foremost, he’s a Black veteran from the rural South who finds himself floating between life in academia, public speaking, storytelling, parenting, and tending to the goats in his backyard.  And he’s got stories. Really good ones. And stories that make you think a little differently about the world.  In each episode of What’s Ray Saying, Ray shares his love of cultural history, personal narrative, and social justice. Think of him as your favorite uncle—a voice you can trust, filled with wise talk and scars and scratches, who makes you feel comfortable enough to listen to things that aren’t always that easy to hear.  And don’t worry, you’ll meet the goats too. For more on the show, visit https://drraychristian.com and subscribe wherever you get your stories.

We Disrupt This Broadcast, a new podcast from The Peabody Awards and the Center for Media & Social Impact, features intimate interviews with award-winning television creatives shaping the future of entertainment with disruptive new narratives and fresh approaches. us as we explore how our favorite critically-acclaimed TV shows are re-imagining the world and tackling the big issues that move us forward. guests include Quinta Brunson, Damon Lindelof, Ramy Youssef, Pamela Adlon, Charlie Brooker, and more. The podcast is hosted by Gabe González (comedian, writer and actor) with episodes releasing the second Thursday of every month. For more about the show, go to peabodyawards.com/podcast.

For listeners of Studio 360, we’re featuring an episode from the new PRX podcast Monumental. The landscape of public memory is shifting. As we re-examine the plaques in our parks and the sculptures on our streets, we grapple with what to do with them. Once we learn the stories these objects tell about who we are, will tearing down statues and renaming schools be enough? Monumental interrogates the state of American monuments and what their future says about our own. In this 10-episode series, host and author Ashley C Ford and a team of audio journalists from around the country will piece together the complex stories behind some of the thousands of monuments that exist in every corner of the U.S In this episode, we uncover the story of the only successful coup d’etat ever to happen on American soil. This act of racial violence was designed to eliminate all memory of a highly successful Black community in Wilmington, North Carolina back in 1898. That suppression involved racist mobs, as well as historians, city planners, journalists and countless others. They conspired for decades to make a Black community’s onetime prosperity and strength unimaginable. Almost unimaginable. For more information about Monumental, visit our website at www.prx.org/monumental

Hello Studio 360 fans! We're sharing the first episode of a new podcast project, Nixon at War, hosted by Studio 360's Kurt Andersen. Nixon at War is a seven-episode history, a fresh new kind of chronicle about how Richard Nixon turned Vietnam into a war at home… that we’re still fighting today. Most s of the collapse of Richard Nixon’s presidency begin with Watergate - the now iconic tale of a bungled break-in and the misbegotten cover-up that followed.  But what led to Watergate" wherever you’re listening.

After 20 years, Studio 360 is switching off the ON AIR light one last time. Alec Baldwin conducts Kurt Andersen’s exit interview and they listen to some of Kurt’s favorite moments with guests. Since it’s this show’s finale, Kurt talks with TV showrunners David Mandel and Warren Leight about the art of writing a finale — and some of their favorites to watch. And finally — for real, finally — a longtime friend of Kurt whom he met when he first interviewed her for the show, Rosanne Cash, comes back one last time to say farewell with a song. Learn more about your ad choices. Visit megaphone.fm/adchoices

After 20 years, Studio 360 is switching off the ON AIR light one last time. Alec Baldwin conducts Kurt Andersen’s exit interview and they listen to some of Kurt’s favorite moments with guests. Since it’s this show’s finale, Kurt talks with TV showrunners David Mandel and Warren Leight about the art of writing a finale — and some of their favorites to watch. And finally — for real, finally — a longtime friend of Kurt whom he met when he first interviewed her for the show, Rosanne Cash, comes back one last time to say farewell with a song.\r\n\n\nLearn more about your ad choices. Visit megaphone.fm/adchoices\r\n

After 20 years, Studio 360 is switching off the ON AIR light one last time. Alec Baldwin conducts Kurt Andersen’s exit interview and they listen to some of Kurt’s favorite moments with guests. Since it’s this show’s finale, Kurt talks with TV showrunners David Mandel and Warren Leight about the art of writing a finale — and some of their favorites to watch. And finally — for real, finally — a longtime friend of Kurt whom he met when he first interviewed her for the show, Rosanne Cash, comes back one last time to say farewell with a song. Learn more about your ad choices. Visit megaphone.fm/adchoices

After 20 years, Studio 360 is switching off the ON AIR light one last time. Alec Baldwin conducts Kurt Andersen’s exit interview and they listen to some of Kurt’s favorite moments with guests. Since it’s this show’s finale, Kurt talks with TV showrunners David Mandel and Warren Leight about the art of writing a finale — and some of their favorites to watch. And finally — for real, finally — a longtime friend of Kurt whom he met when he first interviewed her for the show, Rosanne Cash, comes back one last time to say farewell with a song. Learn more about your ad choices. Visit megaphone.fm/adchoices

From 1910 to 1970, 6.6 million African Americans migrated from the rural south – a dramatic movement that would permanently change the social, political and cultural fabric of our nation. In 1941, Jacob Lawerence’s iconic series The Migration of the Negro (now generally referred to as The Great Migration) rocked the art world with its depictions of an active moment very much underway. Over the course of 60 s, the hardships of the South, the disappointments of the North, and the first steps of the Civil Rights movement are masterfully displayed. Learn more about your ad choices. Visit megaphone.fm/adchoices

From 1910 to 1970, 6.6 million African Americans migrated from the rural south – a dramatic movement that would permanently change the social, political and cultural fabric of our nation. In 1941, Jacob Lawerence’s iconic series The Migration of the Negro (now generally referred to as The Great Migration) rocked the art world with its depictions of an active moment very much underway. Over the course of 60 s, the hardships of the South, the disappointments of the North, and the first steps of the Civil Rights movement are masterfully displayed.\r\n\n\nLearn more about your ad choices. Visit megaphone.fm/adchoices\r\n

From 1910 to 1970, 6.6 million African Americans migrated from the rural south – a dramatic movement that would permanently change the social, political and cultural fabric of our nation. In 1941, Jacob Lawerence’s iconic series The Migration of the Negro (now generally referred to as The Great Migration) rocked the art world with its depictions of an active moment very much underway. Over the course of 60 s, the hardships of the South, the disappointments of the North, and the first steps of the Civil Rights movement are masterfully displayed. Learn more about your ad choices. Visit megaphone.fm/adchoices

From 1910 to 1970, 6.6 million African Americans migrated from the rural south – a dramatic movement that would permanently change the social, political and cultural fabric of our nation. In 1941, Jacob Lawerence’s iconic series The Migration of the Negro (now generally referred to as The Great Migration) rocked the art world with its depictions of an active moment very much underway. Over the course of 60 s, the hardships of the South, the disappointments of the North, and the first steps of the Civil Rights movement are masterfully displayed. Learn more about your ad choices. Visit megaphone.fm/adchoices

Studio 360 broadcast its first episode on November 4, 2000, just before we elected George W. Bush as President and we all learned what a “hanging chad” was. Fittingly, that first program was an exploration of art and politics hosted by a newcomer to radio, author and journalist Kurt Andersen. Originally produced out of WNYC Radio, and most recently a Slate podcast, Studio 360 looks at the cool, but complicated, and sometimes strange ways that art touches our lives. Two decades later that mission hasn’t changed even if the people making the show have come and gone. The show’s current Executive Producer Jocelyn Gonzales was a still-wet-behind-the-ears associate producer when the show debuted. As Studio 360 comes to a close after 20 years on the air, she turned to her colleagues from the earliest days of the show for their impressions. Learn more about your ad choices. Visit megaphone.fm/adchoices

Studio 360 broadcast its first episode on November 4, 2000, just before we elected George W. Bush as President and we all learned what a “hanging chad” was. Fittingly, that first program was an exploration of art and politics hosted by a newcomer to radio, author and journalist Kurt Andersen.\r\n\n\nOriginally produced out of WNYC Radio, and most recently a Slate podcast, Studio 360 looks at the cool, but complicated, and sometimes strange ways that art touches our lives. Two decades later that mission hasn’t changed even if the people making the show have come and gone. The show’s current Executive Producer Jocelyn Gonzales was a still-wet-behind-the-ears associate producer when the show debuted. As Studio 360 comes to a close after 20 years on the air, she turned to her colleagues from the earliest days of the show for their impressions.\r\n\n\nLearn more about your ad choices. Visit megaphone.fm/adchoices\r\n

Studio 360 broadcast its first episode on November 4, 2000, just before we elected George W. Bush as President and we all learned what a “hanging chad” was. Fittingly, that first program was an exploration of art and politics hosted by a newcomer to radio, author and journalist Kurt Andersen. Originally produced out of WNYC Radio, and most recently a Slate podcast, Studio 360 looks at the cool, but complicated, and sometimes strange ways that art touches our lives. Two decades later that mission hasn’t changed even if the people making the show have come and gone. The show’s current Executive Producer Jocelyn Gonzales was a still-wet-behind-the-ears associate producer when the show debuted. As Studio 360 comes to a close after 20 years on the air, she turned to her colleagues from the earliest days of the show for their impressions. Learn more about your ad choices. Visit megaphone.fm/adchoices

Studio 360 broadcast its first episode on November 4, 2000, just before we elected George W. Bush as President and we all learned what a “hanging chad” was. Fittingly, that first program was an exploration of art and politics hosted by a newcomer to radio, author and journalist Kurt Andersen. Originally produced out of WNYC Radio, and most recently a Slate podcast, Studio 360 looks at the cool, but complicated, and sometimes strange ways that art touches our lives. Two decades later that mission hasn’t changed even if the people making the show have come and gone. The show’s current Executive Producer Jocelyn Gonzales was a still-wet-behind-the-ears associate producer when the show debuted. As Studio 360 comes to a close after 20 years on the air, she turned to her colleagues from the earliest days of the show for their impressions. Learn more about your ad choices. Visit megaphone.fm/adchoices